REFEREED
“Rain: A Phenomenal Catalogue,” [in]Transition 10.1, May 2023.
“The Floating Coffins: Cataleptic Terror and Prismatic Vision in Watson & Webber’s The Fall of the House of Usher,” Mise-en-scéne: The Journal of Film and Visual Narration 7.2 (Winter 2022).
“Borrowed Dreams: Joseph Cornell and the Archive as Psychic Imprint,” Frames Cinema Journal 19 (Spring 2022).
“The Stairwell: memories and mirages of film noir,” [in]Transition 9.1, March 2022.
NON-REFEREED SERIES
“Changing Seasons: The Canadian Pastoral in Keith Lock’s Everything Everywhere Again Alive,” Art & Trash, December 8, 2022.
“Hanging Portraits: Obsession and Resurrection in Laura,” Detours, November 24, 2022.
“Enchantment: The Fantastic Films of Michael Krueger,” Art & Trash, November 24, 2022.
“Christina Battle: Acts of Resistance,” Art & Trash, November 17, 2022.
“Signals in the Dark: Shadows and Silence in The Thief,” Detours, November 14, 2022.
“Simultaneous Tensions: The Duo-Vision of Wicked, Wicked,” Art & Trash, November 10, 2022.
“The Children’s Court: Disillusionment and Prejudice in Talk About a Stranger,” Detours, November 7, 2022.
“Escalators to Eternity: The Choir Made Visible in Standish Lawder’s Necropolis,” Art & Trash, November 3, 2022.
“This is Not an Exit: Participation and Parable in Beyond the 7th Door,” Art & Trash, October 27, 2022.
“Closing Distance: The Cosmic View, the Terrestrial Horizon, and Jean-Claude Labrecque’s Essai à la mille,” Art & Trash, October 14, 2022.
“The Storyteller: The Artist’s Reflection in The Evil Within,” Art & Trash, June 16, 2022.
“A Day in New York: Futurist Vision and Francis Thompson’s N.Y., N.Y.,” Art & Trash, June 2, 2022.
“The Wrestler’s Cruel Study: Theatre and Honour in Pushed Too Far,” Art & Trash, May 19, 2022.
“Richard Kerr: Field Trips,” Art & Trash, May 4, 2022.
“Fear in the Mirror: In Search of a Clean Conscience in Fear in the Night and Nightmare,” Detours, October 31, 2021.
“Meeting Evil: The Crowd and the Conductor in Try and Get Me,” Detours, October 18, 2021.
“Twice as Hot: Duplicity and the Second Person in The Bribe,“ Detours, October 11, 2021.
“The Long Road: The Shape of Perspective in Where Danger Lives,” Detours, October 4, 2021.
“Missing Pieces: The Vision of a Killer in The Spiral Staircase,” Detours, September 27, 2021.
“Giving Up on God: Edge of Doom and the Burden of Faith,” Detours, September 20, 2021.
“The Broken Ship: The Whispering Village in Cause for Alarm,” Detours, September 13, 2021.
“The Looking Cure: John Hofsess’s The Palace of Pleasure,” Art & Trash, May 9, 2021.
“Dialing Wonderland: Nelson Lyon’s The Telephone Book,” Art & Trash, April 22, 2021.
“Scales of Being: Ed Emshwiller’s Relativity,” Art & Trash, April 15, 2021.
“Louise Bourque: Scene of the Crime,” Art & Trash, April 8, 2021.
“Drunk on Poetry: Michael & Roberta Findlay’s Take Me Naked,” Art & Trash, March 25, 2021.
“Willie Varela: The World in the Window,” Art & Trash, March 18, 2021.
“Phantoms in the Family: Chester Novell Turner’s Tales from the QuadeaD Zone,” Art & Trash, March 11, 2021.
“Everything Shines in the Darkness: Sheldon & Diane Rochlin’s Vali, the Witch of Positano,” Art & Trash, March 4, 2021.
“Final Destinations: The Case of Night Train to Terror,” Art & Trash, February 25, 2021.
“Heavenly Pavilions: Ira Cohen’s The Invasion of Thunderbolt Pagoda,” Art & Trash, February 18, 2021.
“The Absolute Policeman: Wes Olsen’s The Dark Side of Midnight,” Art & Trash, February 11, 2021.
“Josephine Massarella: One Woman Walking,” Art & Trash, February 11, 2021.